Real Investigative Reporters Are Run Out of America…It’s Official; US Media is Only Jewish Propaganda!

JOHN PILGER: “HOLD THE FRONT PAGE: THE REPORTERS ARE MISSING”

Legendary and award-winning journalist and film maker, John Pilger, addresses war propaganda, journalism, the White Helmets, and smear tactics. Very grateful to him for having done so.

Published September 19, 2018 at Consortium News 

Excerpts:

The death of Robert Parry earlier this year felt like a farewell to the age of the reporter. Parry was “a trailblazer for independent journalism”, wrote Seymour Hersh, with whom he shared much in common.

Hersh revealed the My Lai massacre in Vietnam and the secret bombing of Cambodia, Parry exposed Iran-Contra, a drugs and gun-running conspiracy that led to the White House. In 2016, they separately produced compelling evidence that the Assad government in Syria had not used chemical weapons. They were not forgiven.

Driven from the “mainstream”, Hersh must publish his work outside the United States. Parry set up his own independent news website Consortium News, where, in a final piece following a stroke, he referred to journalism’s veneration of “approved opinions” while “unapproved evidence is brushed aside or disparaged regardless of its quality.”

Although journalism was always a loose extension of establishment power, something has changed in recent years. Dissent tolerated when I joined a national newspaper in Britain in the 1960s has regressed to a metaphoric underground as liberal capitalism moves towards a form of corporate dictatorship. This is a seismic shift, with journalists policing the new “groupthink”, as Parry called it, dispensing its myths and distractions, pursuing its enemies.

…Supported by a “psyops” campaign funded by the British Foreign Office and the U.S. Agency for International Development, the aim is to hoodwink the Western public and speed the overthrow of the government in Damascus, regardless of the medieval alternative and the risk of war with Russia.

The Syria Campaign, set up by a New York PR agency called Purpose, funds a group known as the White Helmets, who claim falsely to be “Syria Civil Defense” and are seen uncritically on TV news and social media, apparently rescuing the victims of bombing, which they film and edit themselves, though viewers are unlikely to be told this. George Clooney is a fan.

The White Helmets are appendages to the jihadists with whom they share addresses. Their media-smart uniforms and equipment are supplied by their Western paymasters. That their exploits are not questioned by major news organizations is an indication of how deep the influence of state-backed PR now runs in the media. As Robert Fisk noted recently, no “mainstream” reporter reports Syria.

In what is known as a hatchet job, a Guardian reporter based in San Francisco, Olivia Solon, who has never visited Syria, was allowed to smear the substantiated investigative work of journalists Vanessa Beeley and Eva Bartlett on the White Helmets as “propagated online by a network of anti-imperialist activists, conspiracy theorists and trolls with the support of the Russian government.”

This abuse was published without permitting a single correction, let alone a right-of-reply. The Guardian Comment page was blocked, as Edwards and Cromwell document.  I saw the list of questions Solon sent to Beeley, which reads like a McCarthyite charge sheet — “Have you ever been invited to North Korea?”

So much of the mainstream has descended to this level. Subjectivism is all; slogans and outrage are proof enough. What matters is the “perception.”

When he was U.S. commander in Afghanistan, General David Petraeus declared what he called “a war of perception… conducted continuously using the news media.” What really mattered was not the facts but the way the story played in the United States. The undeclared enemy was, as always, an informed and critical public at home.

Nothing has changed. In the 1970s, I met Leni Riefenstahl, Hitler’s film-maker, whose propaganda mesmerized the German public.

She told me the “messages” of her films were dependent not on “orders from above”, but on the “submissive void” of an uninformed public.

“Did that include the liberal, educated bourgeoisie?” I asked.

“Everyone,” she said. “Propaganda always wins, if you allow it.”

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