Zionist Social Engineering by Geffen, ZIONIST & Cohen, Another Zionist of New World Order Gang
Half Truths & Globalist Bias of The NY Times Front Page Headlines
JUNE, 2017 1 FED RESERVE NOTE
“We read and rebut their vile crap so you won’t have to!”
WEDNESDAY/ JUNE 28, 2017
The House of Horrors in Marxist Manhattan commonly referred to as “the MoMa” — short for Museum of Modern Art — just received a $50 million donation from billionaire Steven A. Cohen (cough cough). The money will help to fund a $400 million renovation and expansion project. Of course, as all good attention-seeking “philanthropists” of “The Tribe” expect, MoMA’s massive new gallery will be named the “Steven and Alexandra Cohen Center for Special Exhibitions.“
The Cohen’s contribution is impressive, but only half as much as the $100 million which Hollywood media mogul and open sodomite David Geffen (cough cough) donated to the project last year. Just think of the good works that these many millions of dollars could have done for free children’s hospitals like New York’s St. Jude or Philadelphia’s Shriners Hospital; or for Deborah Heart & Lung of New Jersey (also free to the public); or for organizations like Homes For Our Troops which builds free specially adapted homes for crippled veterans, or for any of a number of other highly-rated charities across the country which help the truly needy. But no, these otherwise greedy Marxist Jews and many others like them prefer to throw their money away on funding the cultural vandalism referred to as “modern art.” Why is that?
Queer commie David Geffen dumped $100 million into MoMa / Libtarded imbeciles marvel at vandalism.
Of course, these characters are neither stupid nor fiscally irresponsible. There is a deliberate method to their Marxist madness which is as evil as it is brilliantly conceived. It is a self-evident truth that “Modern Art” has always been aggressively promoted by all of the various tentacles of the New World Order crime gang — including the Communist Party USA. And when Sugar and I, er, “The Editorial Board” of The Anti-New York Times throw out a term like “self-evident,” we don’t use it as a rhetorical ploy like the slimy scribblers of Sulzberger’s Slimes do. No sir; we actually mean that it is an indisputable fact — Google: (CIA & Modern Art: here) — (Communist Party & Modern Art: here) — (Rockefeller Family & Modern Art: here) — (Rothschild Family & Modern Art: here) — (Soros Family & Modern Art: here) — (The United Nations & Modern Art: here) etc., etc., etc. Add to that high-powered list of direct financial “patron of the arts” the Sulzberger-Ochs Family — whose “paper of record” has long puffed-up creepy charlatans such as the openly Stalinist Pablo Picasso and the madman Jackson Pollock.
Typical crap you’ll find on the walls of the MoMa.
The hidden agenda behind this century-old movement (proudly referred to as “anti-art” by its early Marxist practitioners (here)) to replace the good stuff with neurotic garbage benefits the Globalists. You see, boys and girls, Modern Art — just like much of Modern Music, Modern Literature, Modern Science etc. — distorts and perverts the appreciation and understanding of truth and beauty. Convince the notoriously vain “intelligentsia” in any given society that up is down, black is white, crap is gold, gold is crap, men are women, women are men, etc, and soon you can sell these “educated” chumps anything. From there, the madness will eventually flow downhill to “the masses.” There is no right and wrong for truth, like Einstein’s “curved universe” (rolling eyes) and his “time warps” (rolling eyes) is all about “relativity.”
The essence of ‘modernism’ is to suppress one’s own God-given instincts, and then choose to believe in nothing, unless the “powers that be” (cough cough) instruct and authorize you to believe in something, that is. Ever notice how most of the main characters of modern literature and film are usually not heroes like those of yesteryear? The protagonist these days is typically a mentally conflicted hybrid weirdo — neither good nor bad. Likewise, the modernist painter or sculptor is not at all concerned with beauty and truth. To the modernist, truth is only a point-of-view which aimlessly drifts with the polluted tide of “popular opinion” TM — that manufactured dogma which is nothing but a mass psychosis engineered by the usual suspects. In literature and art, and even “theoretical science,” there is now a complete rejection of truth and beauty. Heck! Even the Poop Francis of the “modern Vatican” refuses to call sin by its rightful name. Although the Argentinean ass-clown did indeed pass very strong judgements against Global Warming TM and xenophobia TM, but we digress.
In the final analysis, a people that can no longer distinguish truth and beauty from falsehood and ugliness, is a people that is ripe for all manner of deception, oppression and enslavement. And that is why Modern Art is the art-of-choice for the cultural vandals behind the New World Order — and it is also why The Great One, (that’s Hitler for you newbies and normies) a talented painter himself (see examples below), protected his people from this massive financial and psychological con-game that is still being played today.
Hitler: “Works of art that cannot be understood but need a swollen set of instructions to prove their right to exist and find their way to neurotics who are receptive to such stupid or insolent nonsense will no longer openly reach the German nation.”
Boobus Americanus 1: I read in the New York Times today that a wealthy Jewish philanthropist just donated $50 million to the MoMa.
Boobus Americanus 2: Awesome! You know, I have always admired the Jewish people for their generosity and public spiritedness in supporting our important cultural institutions.